Chapters in Edited Volumes

Chapter: “Dark Ecologies” in Kelly Richardson: Pillars of Dawn (Kerber Verlag): 79-85. Eds. Alistair Robinson, Madeleine Kennedy, 2019.

Chapter: “Radiant Light, Resonant Sound” in Sculpted Cinema (Pleasure Dome): 64-79. Eds. Melanie Wilmink, Solomon Nagler, 2018.

Refereed Writing

Interview: Ingrid Bachmann, in Exhibiting Digital Animalities, edited by Matthew Brower. PUBLIC Books, 2021.

Portfolio:Arctic Futurisms,” Canadian Theatre Review 177, University of Toronto Press, Winter 2019.

Article: “A World Without Us: Charles Stankievech’s The Soniferous Aether of the Land Beyond the Land Beyond“. Prefix Photo 32. 2015.

Article: Shadows from the Future: The Last Frontier by Kelly Richardson – June 2015, Honest Ulsterman, ed. Gregory McCarthy.

Article: Richard Mosse | Violence & Light in Seismopolite: Journal of Art & Politics 7, ed. Paal Andreas Boe.

Book, Exhibition, and Media Reviews

Book Review: Narratives Unfolding: National Art Histories in an Unfinished World, edited by Martha Langford TOPIA: Canadian Journal of Cultural Studies 43 (Fall 2021): 212-216.

Review: The OA (S2) in Science Fiction Research Association Review, Winter 2020, 50 (1).

Review: “Fortitude,” in Journal of Science Fiction Film and Television 12, (2). University of Liverpool Press, June 2019.

Exhibition Review: Anne-Marie Proulx, Aiminanu. YYZ Artists Outlet, May 13-July 8, 2017. Ciel Variable 108, January 2018, ed. Jacques Doyon.

Book Review: The Nuclear Culture Source Book, edited by Ele Carpenter. PUBLIC: Art | Culture | Ideas. ed. Jessica Mulvogue.

Book Review: The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, by Anna Lowenhaupt Tsing. Culture Machine. Ed. Rafico Ruiz. 2017.

Book Review: The Edge of the Earth: Climate Change in Photography & Video, Ryerson Image Centre (2016). Prefix Photo 35. 2017.

Book Review: Artificial Darkness: An Obscure History of Modern Art & Media by Noam Elcott (2016). Prefix Photo 34. 2016.

Book Review: Laruelle: Against the Digital, by Alexander Galloway (2014) – Dialogue: Canadian Philosophical Review. (2015) 1-2.